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Format:
Book
Author:
Title:
Edition:
1st ed.
Publisher, Date:
New York : Atheneum Books for Young Readers/ginee seo books, 2009.
Description:
1 v. (unpaged) : ill ; 24 x 27 cm.
Summary:
Hughes's spare yet eloquent tribute to his people has been cherished for generations. Now, acclaimed photographer Smith interprets this beloved poem in vivid sepia photographs that capture the glory, the beauty, and the soul of being a black American today.
Subjects:
Other Author:
Notes:
Coretta Scott King Illustrator Award, 2010.
LCCN:
2008025604
ISBN:
9781416935407
1416935401
Other Number:
213303953
System Availability:
1
Current Holds:
0
# Local items:
1
Control Number:
219965
Call Number:
MULTI-CUL HUG
# Local items in:
1
# System items in:
1
Find It
Author Notes
Langston Hughes, February 1, 1902 - May 22, 1967 Langston Hughes, one of the foremost black writers to emerge from the Harlem Renaissance, was born on February 1, 1902, in Joplin, Mo. Hughes briefly attended Columbia University before working numerous jobs including busboy, cook, and steward. While working as a busboy, he showed his poems to American poet Vachel Lindsay, who helped launch his career. He soon obtained a scholarship to Lincoln University and had several works published. <p> Hughes is noted for his depictions of the black experience. In addition to the black dialect, he incorporated the rhythms of jazz and the blues into his poetry. While many recognized his talent, many blacks disapproved of his unflattering portrayal of black life. His numerous published volumes include, "The Weary Blues," "Fine Clothes to the Jew," and "Montage of a Dream Deferred." Hughes earned several awards during his lifetime including: a Guggenheim fellowship, an American Academy of Arts and Letters Grant, and a Spingarn Medal from the NAACP. <p> Langston Hughes died of heart failure on May 22, 1967. <p> (Bowker Author Biography)
Fiction/Biography Profile
Characters
Tribue to his people ()
Genre
NonFiction
Juvenile
Topics
African Americans
Poetry
Large Cover Image
Trade Reviews

  Publishers Weekly Review

"At just thirty-three words total, [this] poem is a study in simplicity," writes Smith (Rimshots; If); in its visual simplicity, his picture-book presentation is a tour de force. Introducing the poem two or three words at a time, Smith pairs each phrase with a portrait of one or more African-Americans; printed in sepia, the faces of his subjects materialize on black pages. "The night," reads the opening spread, across from an image of a man's face, his eyes shut; "is beautiful," continues the next spread, showing the same face, now with eyes open and a wide smile. The text, sized big to balance the portraits, shows up in hues that range from white to tan to brown-black, reflecting Smith's reading that "the words celebrate black people of differing shades and ages." An inventive design adds a short, shadowed row or column of small portraits to the edge of many spreads; these quietly reinforce the concept of "my people." Whether of babies, children or adults, Smith's faces emerge into the light, displaying the best that humanity has to offer-intelligence, wisdom, curiosity, love and joy. Ages 4-8. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

  School Library Journal Review

K Up-Smith's knack for pairing poetry and photography is well documented in books such as Hoop Queens (Candlewick, 2003) and Rudyard Kipling's If (S & S, 2006). Here, his artful images engage in a lyrical and lively dance with Langston Hughes's brief ode to black beauty. Dramatic sepia portraits of African Americans-ranging from a cherubic, chubby-cheeked toddler to a graying elder whose face is etched with lines-are bathed in shadows, which melt into black backgrounds. The 33 words are printed in an elegant font in varying sizes as emphasis dictates. In order to maximize the effect of the page turn and allow time for meaning to be absorbed, the short phrases and their respective visual narratives often spill over more than a spread. The conclusion offers a montage of faces created with varying exposures, a decision that provides a light-filled aura and the irregularities that suggest historical prints. A note from Smith describes his approach to the 1923 poem. This celebration of the particular and universal will draw a wide audience: storytime participants; students of poetry, photography, and cultural studies; seniors; families. A timely and timeless offering.-Wendy Lukehart, Washington DC Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Summary
Langston Hughes's spare yet eloquent tribue to his people has been cherished for generations. Now, acclaimed photographer Charles R. Smith Jr. interprets this beloved poem in vivid sepia photographs that capture the glory, the beauty, and the soul of being a black American today.
Librarian's View
Book
2009

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