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Format:
Book
Author:
Title:
Publisher, Date:
New York : Soho Press, c2003.
Description:
294 p. ; 22 cm.
Series:
Subjects:
LCCN:
2002044656
ISBN:
1569473307 (alk. paper)
Other Number:
51251843
System Availability:
1
Current Holds:
0
# Local items:
1
Control Number:
91897
Call Number:
WINSPEAR J
# Local items in:
1
# System items in:
1
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Author Notes
Jacqueline Winspear was born in the county of Kent, England. She was educated at the University of London's Institute of Education. After graduation, she worked in academic publishing, in higher education, and in marketing communications in the UK. In 1990, she emigrated to the United States. She was working in business and as a personal/professional coach when she decided to try writing. <p> Her first novel, Maisie Dobbs, won the Agatha Award for Best First novel, the Macavity Award for Best First Novel, and the Alex Award. She is the author of the Maisie Dobbs Mystery series. She has also won the Agatha Award for Best Novel, the inaugural Sue Feder/Macavity Award for Best Historical Mystery, and the Bruce Alexander Award for Best Historical Mystery. Her title, A Dangerous Place, made The New York Times High Profile titles list. Journey to Munich, a book in the Maisie Dobbs Series, made the New York Times bestseller list in 2016. <p> (Bowker Author Biography)
First Chapter or Excerpt
SPRING 1929 CHAPTER ONE Even if she hadn't been the last person to walk through the turnstile at Warren Street tube station, Jack Barker would have noticed the tall, slender woman in the navy blue, thigh-length jacket with a matching pleated skirt short enough to reveal a well-turned ankle. She had what his old mother would have called "bearing." A way of walking, with her shoulders back and head held high, as she pulled on her black gloves while managing to hold on to a somewhat battered black document case. "Old money," muttered Jack to himself. "Stuck-up piece of nonsense." Jack expected the woman to pass him by, so he stamped his feet in a vain attempt to banish the sharp needles of cold creeping up through his hobnailed boots. He fanned a half dozen copies of the Daily Express over one arm, anticipating a taxi-cab screeching to a halt and a hand reaching out with the requisite coins. "Oh, stop--may I have an Express please, love?" appealed a voice as smooth as spooned treacle. The newspaper vendor looked up slowly, straight into eyes the color of midnight in summer, an intense shade that seemed to him to be darker than blue. She held out her money. "O' course, miss, 'ere you are. Bit nippy this morning, innit?" She smiled, and as she took the paper from him before turning to walk away, she replied, "Not half. It's brass monkey weather; better get yourself a nice cuppa before too long." Jack couldn't have told you why he watched the woman walk all the way down Warren Street toward Fitzroy Square. But he did know one thing: She might have bearing, but from the familiar way she spoke to him, she certainly wasn't from old money. At the end of Warren Street, Maisie Dobbs stopped in front of the black front door of a somewhat rundown Georgian terraced house, tucked the Daily Express under her left arm, carefully opened her document case, and took out an envelope containing a letter from her landlord and two keys. The letter instructed her to give the outside door a good shove after turning the key in the lock, to light the gas lamp at the base of the stairs carefully, to mind the top step of the first flight of stairs--which needed to be looked at--and to remember to lock her own door before leaving in the evening. The letter also told her that Billy Beale, the caretaker, would put up her nameplate on the outside door if she liked or, it suggested, perhaps she would prefer to remain anonymous. Maisie grinned. I need the business, she said to herself. I'm not here to remain anonymous. Maisie suspected that Mr. Sharp, the landlord, was unlikely to live up to his name, and that he would pose questions with obvious answers each time they met. However, his directions were apt: The door did indeed need a shove, but the gas lamp, once lit, hardly dented the musky darkness of the stairwell. Clearly there were some things that needed to be changed, but all in good time. For the moment Maisie had work to do, even if she had no actual cases to work on. Minding the top step, Maisie turned right on the landing and headed straight for the brown painted door on the left, the one with a frosted glass window and a To Let sign hanging from the doorknob. She removed the sign, put the key into the lock, opened the door, and took a deep breath before stepping into her new office. It was a single room with a gas fire, a gas lamp on each wall, and one sash window with a view of the building across the street and the rooftops beyond. There was an oak desk with a matching chair of dubious stability, and an old filing cabinet to the right of the window. Lady Rowan Compton, her patron and former employer, had been correct; Warren Street wasn't a particularly salubrious area. But if she played her cards right, Maisie could afford the rent and have some money left over from the sum she had allowed herself to take from her savings. She didn't want a fancy office, but she didn't want an out-and-out dump either. No, she wanted something in the middle, something for everyone, something central, but then again not in the thick of things. Maisie felt a certain comfort in this small corner of Bloomsbury. They said that you could sit down to tea with just about anyone around Fitzroy Square, and dine with a countess and a carpenter at the same table, with both of them at ease in the company. Yes, Warren Street would be good for now. The tricky thing was going to be the nameplate. She still hadn't solved the problem of the nameplate. As Lady Rowan had asked, "So, my dear, what will you call yourself? I mean, we all know what you do, but what will be your trade name? You can hardly state the obvious. 'Finds missing people, dead or alive, even when it's themselves they are looking for' really doesn't cut the mustard. We have to think of something succinct, something that draws upon your unique talents." "I was thinking of 'Discreet Investigations,' Lady Rowan. What do you think?" "But that doesn't tell anyone about how you use your mind, my dear--what you actually do." "It's not really my mind I'm using, it's other people's. I just ask the questions." "Poppycock! What about 'Discreet Cerebral Investigations'?" Maisie smiled at Lady Rowan, raising an eyebrow in mock dismay at the older woman's suggestion. She was at ease, seated in front of the fireplace in her former employer's library, a fireplace she had once cleaned with the raw, housework-roughened hands of a maid in service. "No, I'm not a brain surgeon. I'm going to think about it for a bit, Lady Rowan. I want to get it right." The gray-haired aristocrat leaned over and patted Maisie on the knee. "I'm sure that whatever you choose, you will do very well, my dear. Very well indeed." So it was that when Billy Beale, the caretaker, knocked on the door one week after Maisie moved into the Warren Street office, asking if there was a nameplate to put up at the front door, Maisie handed him a brass plate bearing the words "M. Dobbs. Trade and Personal Investigations." "Where do you want it, miss? Left of the door or right of the door?" He turned his head very slightly to one side as he addressed her. Billy was about thirty years old, just under six feet tall, muscular and strong, with hair the color of sun-burnished wheat. He seemed agile, but worked hard to disguise a limp that Maisie had noticed immediately. "Where are the other names situated?" "On the left, miss, but I wouldn't put it there if I were you." "Oh, and why not, Mr. Beale?" "Billy. You can call me Billy. Well, people don't really look to the left, do they? Not when they're using the doorknob, which is on the right. That's where the eyes immediately go when they walk up them steps, first to that lion's 'ead door knocker, then to the knob, which is on the right. Best 'ave the plate on the right. That's if you want their business." "Well, Mr. Beale, let's have the plate on the right. Thank you." "Billy, miss. You can call me Billy." Billy Beale went to fit the brass nameplate. Maisie sighed deeply and rubbed her neck at the place where worry always sat when it was making itself at home. "Miss . . ." Billy poked his head around the door, tentatively knocking at the glass as he removed his flat cap. "What is it, Mr. Beale?" "Billy, miss. Miss, can I have a quick word?" "Yes, come in. What is it?" "Miss, I wonder if I might ask a question? Personal, like." Billy continued without waiting for an answer. "Was you a nurse? At a casualty clearing station? Outside of Bailleul?" Maisie felt a strong stab of emotion, and instinctively put her right hand to her chest, but her demeanor and words were calm. "Yes. Yes, I was." "I knew it!" said Billy, slapping his cap across his knee. "I just knew it the minute I saw those eyes. That's all I remember, after they brought me in. Them eyes of yours, miss. Doctor said to concentrate on looking at something while 'e worked on me leg. So I looked at your eyes, miss. You and 'im saved my leg. Full of shrapnel, but you did it, didn't you? What was 'is name?" For a moment, Maisie's throat was paralyzed. Then she swallowed hard. "Simon Lynch. Captain Simon Lynch. That must be who you mean." "I never forgot you, miss. Never. Saved my life, you did." Maisie nodded, endeavoring to keep her memories relegated to the place she had assigned them in her heart, to be taken out only when she allowed. "Well, miss. Anything you ever want doing, you just 'oller. I'm your man. Stroke of luck, meeting up with you again, innit? Wait till I tell the missus. You want anything done, you call me. Anything." "Thank you. Thank you very much. I'll holler if I need anything. Oh, and Mr. . . . Billy, thank you for taking care of the sign." Billy Beale blushed and nodded, covered his burnished hair with his cap, and left the office. Lucky, thought Maisie. Except for the war, I've had a lucky life so far. She sat down on the dubious oak chair, slipped off her shoes and rubbed at her feet. Feet that still felt the cold and wet and filth and blood of France. Feet that hadn't felt warm in twelve years, since 1917. She remembered Simon, in another life, it seemed now, sitting under a tree on the South Downs in Sussex. They had been on leave at the same time, not a miracle of course, but difficult to arrange, unless you had connections where connections counted. It was a warm day, but not one that took them entirely away from the fighting, for they could still hear the deep echo of battlefield cannonade from the other side of the English Channel, a menacing sound not diminished by the intervening expanse of land and sea. Maisie had complained then that the damp of France would never leave her, and Simon, smiling, had pulled off her walking shoes to rub warmth into her feet. "Goodness, woman, how can anyone be that cold and not be dead?" They both laughed, and then fell silent. Death, in such times, was not a laughing matter. Excerpted from Maisie Dobbs by Jacqueline Winspear All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Fiction/Biography Profile
Awards
2003 - Agatha Award for Best First Novel winner
2004 - Edgar Allan Poe Award for Best Novel nominee
2004 - Barry Award for Best First Novel nominee
2004 - Independent Booksellers Association's Dilys Award nominee
Characters
Maisie Dobbs (Female), Private investigator, Ex-nurse, Served as a field nurse in France during World War I; studied at Cambridge
Genre
Fiction
Historical
Mystery
Topics
Husbands and wives
Infidelity
Suspicion
World War I veterans
Effects of war
Setting
London, England - Europe
Time Period
1929 -- 20th century
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Trade Reviews

  Library Journal Review

This charming Agatha Award-winning debut is on audio for the first time. Read by Britain's Rita Barrington. (Print review: LJ 3/15/03.) (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

  Publishers Weekly Review

In Winspear's inspired debut novel, a delightful mix of mystery, war story and romance set in WWI-era England, humble housemaid Maisie Dobbs climbs convincingly up Britain's social ladder, becoming in turn a university student, a wartime nurse and ultimately a private investigator. Both na?ve and savvy, Maisie remains loyal to her working-class father and many friends who help her along the way. Her first sleuthing case, which begins as a simple marital infidelity investigation, leads to a trail of war-wounded soldiers lured to a remote convalescent home in Kent from which no one seems to emerge alive. The Retreat, specializing in treating badly deformed battlefield casualties, is run by an apparently innocuous former officer who requires his patients to sign over their assets to his tightly run institution. At different points in her remarkable career, Maisie crosses paths with a military surgeon to whom she's attracted despite his disfigurement from a bomb blast at the front. A refreshing heroine, appealing secondary characters and an absorbing plot, marred only by a somewhat bizarre conclusion, make Winspear a new writer to watch. Agent, Amy Rennert. (July 9) Forecast: Blurbs from Elizabeth George and Charles Todd will alert their readers to the quality of this book, which ought to draw mainstream and romance readers as well. (c) Copyright PWxyz, LLC. All rights reserved

  School Library Journal Review

Adult/High School-Maisie is 14 when her mother dies, and she must go into service to help her father make ends meet. Her prodigious intellect and the fact that she is sneaking into the manor library at night to read Hume, Kierkegaard, and Jung alert Lady Rowan to the fact that she has an unusual maid. She arranges for Maisie to be tutored, and the girl ultimately qualifies for Cambridge. She goes for a year, only to be drawn by the need for nurses during the Great War. After serving a grueling few years in France and falling in love with a young doctor, Maisie puts up a shingle in 1929 as a private investigator. She is a perceptive observer of human nature, works well with all classes, and understands the motivations and demons prevalent in postwar England. Teens will be drawn in by her first big case, seemingly a simple one of infidelity, but leading to a complex examination of an almost cultlike situation. The impact of the war on the country is vividly conveyed. A strong protagonist and a lively sense of time and place carry readers along, and the details lead to further thought and understanding about the futility and horror of war, as well as a desire to hear more of Maisie. This is the beginning of a series, and a propitious one at that.-Susan H. Woodcock, Fairfax County Public Library, Chantilly, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Summary
She started as a maid in an aristocratic London household; studied her way into prestigious Girton College at Cambridge; then became a front-line nurse in World War I. There she found - and lost - an important part of herself. Now she has set up on her own as a private investigator, one who has learned that coincidences are meaningful. And Fate brings her a case that will force her to confront the ghost that has haunted her for over ten years. A welcome addition to the sleuthing scene' - Elizabeth George, author of I, Richard 'A rare treat for mystery fans' - Charles Todd'
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2003

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